Edited by Barry Kitterman | Andrea Spofford | Amy Wright
Floating Island of Plastic
Charles Moore, returning home through the North Pacific Gyre after competing in the trans-Pacific sailing race in 1997, came upon an enormous stretch of floating debris... Scientists subsequently dubbed it The Great Pacific Garbage Patch.
In the horse latitudes, the gyre keeps feeding
styrene to this trough, where north Pacific
currents conspire to send it, as if the message
were not clear enough, how our reckoning is
here, X’ed, worthless as a dead horse, dumb
as polymer assuming the system of sea-kelp.
It is our signature on the high seas, our writing
systems written large across all recorded history;
it is our Ur agriculture and our urban culture packaged
together and shipped across – not quite across – the sea,
claimed by no one, an orphan we’ve all made,
and abandoned, dumped, as we turn back
to our pleasures. A pleasure ship dumps
eight solid tons of pleasure-trash each week.
A Frisbee or foam-board abandoned on Big Sur
floats to this dumping ground in a year. The ocean
abrades it into something scientific, nurdles,
or something poetic, mermaid’s tears, micro-
beads the sea wears around her for all her years.
Neil Shepard has published seven books of poetry, two of them in 2015: Hominid Up (Salmon Poetry, Ireland) and Vermont Exit Ramps II (Green Writers Press, VT). His poems appear in hundreds of literary magazines, among them Boulevard, Colorado Review, Denver Quarterly, Harvard Review, New England Review, New American Writing, North American Review, Paris Review, Ploughshares, Sewanee Review, Southern Review, and TriQuarterly.
NonfictionVerbal Binary Presence in Early Childhood Development, that Infamously Difficult Poetic Form the Villanelle, and the Spiritual Quotidian
In the womb it’s neither no nor yes.
You do, however, gather physical strength. You are, however, unprepared for the binary presence that awaits you on the shores of the amniotic sea in which you swim.continue reading >